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They are characterized by smooth, competent imitative writing in two and three voices.

Luis de Narváez – Wikipedia

He is also notable for being the earliest composer for vihuela to adapt the contemporary Italian style of lute music. The second of the two songs is wrongly attributed to Gombert, it is a guaardame of Jean Courtois.

The new version matches more closely the original vihuela tablature by playing the measure in first position. Views Read Edit View history.

Guárdame las vacas by Luys de Narváez

Retrieved from ” https: Other than the guitar-specific fingerings including left-hand legatothe music the notes themselves should now match exactly the narvaezz tablature. Reverted note additions to measures 30 and 33, leaving only notes occuring in original tablature.

The collection begins with a preface, in which the composer dedicates the work to his patron Francisco de los Cobos. If you have trouble with the left-hand fingering for the scale run in measure 22, you’ll have to come up guardamee an alternate fingering.

The intabulations are of high quality, but without any particular distinguishing features.

By using this site, you agree to the Terms of Use and Privacy Policy. He was born in Granada and the earliest surviving references to him indicate that as early as he was a member of the household of Francisco de los Cobos y Molinaa well-known and very successful patron of the arts who was the Secretary of State and commentator for the kingdom of Castile under Charles V.


This page was last edited on 21 Augustat There is some debate over whether the full composition consists of four or seven variations. Actively Maintained LilyPond Output. Guardame las vacas and Conde clarosboth in volume six.

Volumes four to six have mixed content. The most notable change is in measure 28, which I used to play with a fourth-position barre.

Changed some fingering in measures 30, 32, and 33 to match original tablature. From Wikipedia, the free encyclopedia. The remaining music comprises villancicos, romances, and a Baxa de contrapunto.

Guárdame las vacas by Luys de Narváez –

Apart from melodic variations, there are also gardame sets on ostinato harmonies: My transcription allows you to play the song in the guitar’s normal tuning.

As you can tell from the revision history below, I’ve made other changes over time, eventually reverting two instances where I had added extra notes to form chords to make a note sound fuller.

Confusion arises because the immediately following work in the original manuscript, Otras tres diferencias hechas por otra parteis not listed on the title page or index.

I’ve retained the previous version generated with Sibelius for those who want tablature or wish to compare Sibelius and LilyPond output. Today, quatro is spelled cuatro. The original right-hand fingering was rather unnatural. The first two volumes contain fourteen polyphonic fantasias, modelled after Italian pieces of the same kind.

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Changed beaming to match metrical changes. As usual, fingerings are only suggestions; you may ignore them and choose your own.

Roman numerals in parentheses are not original and are provided for convenience only. In the process of retranscribing and renotating the piece using LilyPond, I made some changes to fingering. The new fingering uses the thumb more and is more playable. If you can play Message in a Bottleyou shouldn’t have a problem with the fingering.

Renotated using LilyPond, making some notational improvements along the way. The dr volume of the collection is dedicated exclusively to intabulations of works by other composers: It consists of a set of variations on a Spanish folk theme. Instead, the title page refers to siete diferencias de guarda me las vacas. Although still a transcription and arrangement for the guitar and not a literal vihuela tablature transcription, this version should be more readable and somewhat truer to the original vihuela tablature.