FREDERIC ZIGANTE VILLA LOBOS PDF

Listen to Villa-Lobos: Complete Solo Guitar Works by Frédéric Zigante on Deezer . With music streaming on Deezer you can discover more than. View credits, reviews, tracks and shop for the CD release of Villa-Lobos: Complete Guitar Music on Discogs. Find album reviews, stream songs, credits and award information for Villa-Lobos: Complete Guitar Music [ Recording] – Frédéric Zigante on AllMusic –

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If a perfomer has nothing to say and simply plays the music, he should stay home.

Villa-Lobos: Complete Guitar Music

But I know that I shall certainly not: It is necessary to know exactly what the composer intended but this isn’t always possible on the only basis of the written text. After this reserach I bring out my personal emotions on the condition that they do not affect the composer’s idea.

About Our aim The team History. Community Links Countries Recording Services. Behind this desire for integrity hides no pathologically prolific mind, but a man who searches for profundity and who wants to use the power of interpretation to the good.

False, the only thing about which people need to be educated is listening with curiosity: If yes, how good were you at it? I play both baroque and classic guitar and I consider them two different instruments.

But his power can be negative and he can destroy music, modify it or misinterpret it. You are given the position of artistic director of a concert hall.

I live between two beautiful Italian towns: What really makes the difference is the music that is written ivlla it. How do you balance the need to to put your personal emotions into the music you play and the intentions of the composer?

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During the next two months I will be preparing a new repertory for my CD recordings and I will be working on my critical edition of Villa-Lobos’ Etudes. Complete editions are Frederic Zigante’s specialty: How would you describe the relationship with your instrument?

Villa-Lobos: Complete Guitar Music [2010 Recording]

My father and my brother Manuel. This is how an interpreter and a composer can cope to “travel” together without any conflict. What really matters is to transmit emotions and feeling. This is what some performers do sometimes, they even cut off some parts of the works! People need to be educated about classical music, before they can really appreciate it. Interpretation is a task: What do you tell them? What or who was your biggest influence as an artist?

Is there a crisis? The hardest part about being a musician is to often be alone and the best is to get emotion during a performance.

The latter implies that Zigante eschews or may we even say “despises” the modern-day tendency to submit a Classical works to the arbitrariness of subjectivity, to change it, alter it or even leave out certain passages for more easy digestability. This is the way to discover beauty in all music, not only classical. First I need fgederic contract then I shall frexeric thinking about it! Have you ever tried playing a different instrument?

And yet, he is by no means an anachronism. I am a little bit annoyed by crossovers but I do realize that it is just a fashion that will pass without too many damages.

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Just imagine what would happen if someone went to a museum and decided to change the colors on a painting: I would probably be a medical doctor or a politician. With a clear mind, he recognises current cross-over tendencies and hip genre-bending see his answers to our Festival-question! A good live performance requires good technical standards and acceptable contents for the audience. An interpreter has a great power in his hands because without him the work has no life and can’t be heard.

The one that mediates between the written text and the auditors. Someone who takes care of other people’s problems. You need to see the whole picture here – after all, that is what Frederic Zigante is all about.

Frédéric Zigante – Wikipedia

An interpreter’s task is to give life to emotions that are latent in the musical text grederic only to play them! In essence, his tendency for established values and the ongoing fascination for the infinite possibilities within the purity of zigant piece is not a sign of conservatism – but rather of class.

What constitutes a good live performance in your opinion? What would be on your program for this season? I haven’t noticed any crisis. There are still so many works to be discovered and recorded even for instruments like the guitar.